Launch Slideshow

The new first-floor entry allows the home to engage with the street and "activates" the first floor, architect  Jonathan Fledman says. The home is clad in stucco. Steel beams and glass create the corner window surrounding the interior stair well. On the roof, Felmdan installed a roof deck with views of the Bay.

Flexible Footprint

Flexible Footprint

  • The front facade of the 2009 Remodeling Design Awards Project of the Year.

    http://www.remodeling.hw.net/Images/tmp2EB3%2Etmp_tcm17-203836.jpg

    The front facade of the 2009 Remodeling Design Awards Project of the Year.

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    Paul Dyer Photography

    The front facade of the 2009 Remodeling Design Awards Project of the Year.

  • The new first-floor entry allows the home to engage with the street and "activates" the first floor, architect  Jonathan Fledman says. The home is clad in stucco. Steel beams and glass create the corner window surrounding the interior stair well. On the roof, Felmdan installed a roof deck with views of the Bay.

    http://www.remodeling.hw.net/Images/tmp2E5D%2Etmp_tcm17-203534.jpg

    The new first-floor entry allows the home to engage with the street and "activates" the first floor, architect Jonathan Fledman says. The home is clad in stucco. Steel beams and glass create the corner window surrounding the interior stair well. On the roof, Felmdan installed a roof deck with views of the Bay.

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    Paul Dyer Photography

    The new first-floor entry allows the home to engage with the street and "activates" the first floor, says architect Jonathan Feldman . The home is clad in stucco. Steel beams and glass create the corner window surrounding the interior stair well. On the roof, Felmdan installed a roof deck with views of the Bay.

  • Feldman and the client felt the bump outs and gables on this 1949 home were fussy add-ons. To fit the program of adding more space without increasing the footprint, these elements were removed creating clean lines and a modern style. The second-story entry was removed. A new entry is on the first floor.

    http://www.remodeling.hw.net/Images/tmp2E59%2Etmp_tcm17-203506.jpg

    Feldman and the client felt the bump outs and gables on this 1949 home were fussy add-ons. To fit the program of adding more space without increasing the footprint, these elements were removed creating clean lines and a modern style. The second-story entry was removed. A new entry is on the first floor.

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    courtesy of Feldman Architecture

    Feldman and the client felt the bump outs and gables on this 1949 home were fussy add-ons. To fit the program of adding more space without increasing the footprint, these elements were removed creating clean lines and a modern style. The second-story entry was removed. A new entry is on the first floor.

  • The new dining room is front and center. The  large window combined with the stair core surrounded by glass bring light and air into the home. Wall cut outs mirror the shapes on the window. This transom look is played out in various rooms.

    http://www.remodeling.hw.net/Images/tmp2E5A%2Etmp_tcm17-203513.jpg

    The new dining room is front and center. The large window combined with the stair core surrounded by glass bring light and air into the home. Wall cut outs mirror the shapes on the window. This transom look is played out in various rooms.

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    Paul dyer Photography

    The new dining room is front and center. The large window combined with the stair core surrounded by glass bring light and air into the home. Wall cut outs mirror the shapes on the window. This transom look is played out in various rooms.

  • The original dining room in this 1940 Mission-style single family home was in a dark back corner of the house. Feldman Architects made that area into a master bedroom. The new dining room is now in the front.

    http://www.remodeling.hw.net/Images/tmp2950%2Etmp_tcm17-202432.jpg

    The original dining room in this 1940 Mission-style single family home was in a dark back corner of the house. Feldman Architects made that area into a master bedroom. The new dining room is now in the front.

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    courtesy of Feldman Architecture

    The original dining room in this 1940 Mission-style single family home was in a dark back corner of the house. Feldman Architects made that area into a master bedroom. The new dining room is now in the front.

  • The only skylight in the home, this one covers the entire stair core.  It slides open to provide access to the roof deck that overlooks the city and the bay. The stairs have painted steel stringers and guardrails with an oak handrail. The treads are 2 1/2- inch wide white oak to match the rest of the wood flooring.

    http://www.remodeling.hw.net/Images/tmp2EAF%2Etmp_tcm17-203815.jpg

    The only skylight in the home, this one covers the entire stair core. It slides open to provide access to the roof deck that overlooks the city and the bay. The stairs have painted steel stringers and guardrails with an oak handrail. The treads are 2 1/2- inch wide white oak to match the rest of the wood flooring.

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    Paul Dyer Photography

    The only skylight in the home, this one covers the entire stair core. It slides open to provide access to the roof deck that overlooks the city and the bay. The stairs have painted steel stringers and guardrails with an oak handrail. The treads are 2 1/2- inch wide white oak to match the rest of the wood flooring.

  • The kitchen was relocated from an enclosed area at the back of the house to the corner. More wall space meant more windows (from Gerkin, Bonelli, www.bonelli.com)  bringing in much needed light and air.

    http://www.remodeling.hw.net/Images/tmp2E5F%2Etmp_tcm17-203548.jpg

    The kitchen was relocated from an enclosed area at the back of the house to the corner. More wall space meant more windows (from Gerkin, Bonelli, www.bonelli.com) bringing in much needed light and air.

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    Paul Dyer Photography

    The kitchen was relocated from an enclosed area at the back of the house to the corner. More wall space meant more windows (from Gerkin, Bonelli, www.bonelli.com) bringing in light and air.

  • Smooth lines and modern shapes are created by dark wood Italian cabinets from Scavolini (www.Scavolini.com), Bosch stainless appliances, a Thermador refrigerator, and a Caesarstone countertop.

    http://www.remodeling.hw.net/Images/tmp2E60%2Etmp_tcm17-203555.jpg

    Smooth lines and modern shapes are created by dark wood Italian cabinets from Scavolini (www.Scavolini.com), Bosch stainless appliances, a Thermador refrigerator, and a Caesarstone countertop.

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    Paul Dyer Photography

    Smooth lines and modern shapes are created by dark wood Italian cabinets from Scavolini (www.Scavolini.com), Bosch stainless appliances, a Thermador refrigerator, and a Caesarstone countertop.

  • Aa recessed shower curtain track was placed flush in the ceiling to allow the bathroom to feel as open and spa-like  as possible.

    http://www.remodeling.hw.net/Images/tmp2E56%2Etmp_tcm17-203492.jpg

    Aa recessed shower curtain track was placed flush in the ceiling to allow the bathroom to feel as open and spa-like as possible.

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    Paul Dyer Photography

    A recessed shower curtain track, flush in the ceiling, allows the bathroom to feel open and spa-like.

  • Once relegated as  storage, the first floor now houses a bedroom/guest room, bathroom, family room, and study as well as the main entryway and garage. Sliding glass doors allow easy access to the new garden and give the room a larger appearance.

    http://www.remodeling.hw.net/Images/tmp2E5B%2Etmp_tcm17-203520.jpg

    Once relegated as storage, the first floor now houses a bedroom/guest room, bathroom, family room, and study as well as the main entryway and garage. Sliding glass doors allow easy access to the new garden and give the room a larger appearance.

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    Paul Dyer Photography

    Once relegated as storage, the first floor now houses a bedroom/guest room, bathroom, family room, and study as well as the main entryway and garage. Sliding glass doors allow easy access to the new garden and give the room a larger appearance.

  • La Cantina (www.lacantinadoors.com)  sliding glass doors completely open, stack on the side, and don’t intrude on the floor plan or garden space. The yard is designed to be an outdoor room with seating, paving, and lush plantings.

    http://www.remodeling.hw.net/Images/tmp2E5C%2Etmp_tcm17-203527.jpg

    La Cantina (www.lacantinadoors.com) sliding glass doors completely open, stack on the side, and don’t intrude on the floor plan or garden space. The yard is designed to be an outdoor room with seating, paving, and lush plantings.

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    Paul Dyer Photography

    La Cantina (www.lacantinadoors.com) sliding glass doors completely open, stack on the side, and don’t intrude on the floor plan or garden space. The yard is designed to be an outdoor room with seating, paving, and lush plantings.

  • The new first-floor bedroom was conceived as flexible space.

    http://www.remodeling.hw.net/Images/tmp2E5E%2Etmp_tcm17-203541.jpg

    The new first-floor bedroom was conceived as flexible space.

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    Paul Dyer Photography

    The new first-floor bedroom was conceived as flexible space.

  • Landscape designer Loretta Gargan used large rectangular  bluestone pavers to mirror window shapes and create a modern Mondrian-like effect. Planters offer privacy from neighbors as well as a pleasant view.

    http://www.remodeling.hw.net/Images/tmp2EB1%2Etmp_tcm17-203822.jpg

    Landscape designer Loretta Gargan used large rectangular bluestone pavers to mirror window shapes and create a modern Mondrian-like effect. Planters offer privacy from neighbors as well as a pleasant view.

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    Paul Dyer Photography

    Landscape designer Loretta Gargan used large rectangular bluestone pavers to mirror window shapes and create a modern Mondrian-like effect. Planters offer privacy from neighbors as well as a pleasant view.

  • The new and easily accessible back garden created by landscape designer Loretta Gargan.

    http://www.remodeling.hw.net/Images/tmp2EB2%2Etmp_tcm17-203829.jpg

    The new and easily accessible back garden created by landscape designer Loretta Gargan.

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    Paul Dyer Photography

    The new and easily accessible back garden created by landscape designer Loretta Gargan.

  • The yard in the original house was uninviting and not easily accessible. Small windows didn't allow for much light and their shape made privacy difficult.

    http://www.remodeling.hw.net/Images/tmp2E58%2Etmp_tcm17-203499.jpg

    The yard in the original house was uninviting and not easily accessible. Small windows didn't allow for much light and their shape made privacy difficult.

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    courtesy of Feldman Architecture

    The yard in the original house was uninviting and not easily accessible. Small windows didn't allow for much light and their shape made privacy difficult.

  • Original first and second floor plans.

    http://www.remodeling.hw.net/Images/tmp2EB4%2Etmp_tcm17-203844.jpg

    Original first and second floor plans.

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    courtesy of Feldman Architecture

    Original first and second floor plans.

  • Proosed first and second floor plans.

    http://www.remodeling.hw.net/Images/tmp2EB5%2Etmp_tcm17-203851.jpg

    Proosed first and second floor plans.

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    courtesy of Feldman Architecture

    Proposed first and second floor plans.

  • http://www.remodeling.hw.net/Images/tmp2E61%2Etmp_tcm17-203562.jpg

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    courtesy of Feldman Architecture

Location: San Francisco
Contractor: Felix Chan, Lara Construction, Daly City, Calif.
Designer: Jonathan Feldman, Feldman Architecture, San Francisco
Interior designer: Lisa Lougee, Lisa Lougee Interiors, San Francisco
Landscape designer: Loretta Gargan, Landscape + Design, San Francisco

Aptly referred to as “Open Box 2,” this project doubled the size of a squared-off San Francisco residence without increasing its footprint. By creating a facade of clean lines and Mondrian-like geometry and an open interior, architect Jonathan Feldman achieved what the judges called a “spectacular transformation” that also had “reachable” design features and fit within its budget.

Feldman who, along with his wife, interior designer Lisa Lougee, had remodeled a home in this same neighborhood of stucco Spanish-style single-family residences built in 1949, was approached by a client who bought this house to renovate and sell. The client liked what Feldman had done with the architect’s own home and wanted something similar — modern but warm. “The home was already trying to be modern, but it was a cheap copy,” Feldman says. “We tried to embrace the more modern part of it but do it in a way that was warmer and more connected with nature.”

Living Within Its Means

The first challenge was to increase the amount of habitable space without increasing the footprint, which would have resulted in a lengthy permitting process with the City of San Francisco. “We could change the aesthetics without making anything larger — roofs, walls, and footprint,” Feldman says. “So we either maintained what was there or subtracted some elements such as gables and bump-outs.”

This choice, which created a design of clean, simple lines, appealed to the judges, who were impressed with the project’s composition, its relationship to the street, and its design consistency.

Inside, the original home, broken up into small rooms with few windows, was dark and cramped. The ground floor had a garage and storage space; the home’s entrance was upstairs. There was no real connection to the outdoors. “We wanted to open up the plan and engage the spaces on the lower floor and bring in light,” Feldman says.

The garage remained, but Feldman increased habitable space by reclaiming the rest of the ground floor — putting in an entry on that level and creating bed, bath, laundry, and family rooms. By changing the home’s entrance, Feldman was able to engage the street and “activate” all the rooms on the ground floor. In the rear, slide-fold doors off the first-floor bed and family rooms open onto a new outdoor space with a patio and lush plantings.

Upstairs, Feldman removed walls to create a master suite out of the original kitchen and dining room. He relocated the kitchen, removing walls to connect it with the new living and dining spaces.

Everywhere, there are windows, both vertical and horizontal. “We used upper transom windows because the home is very close to other houses,” Feldman says. “You don’t necessarily want to see the house next door, but you do want to see the sky and have light penetrate the room.”

The newly built interior stair core with open risers is a sculptural feature surrounded on two sides by columns of windows that allow light to filter through. The solar paneled roof holds a skylight hatch that slides open providing access to a roof deck, which boasts several garden beds and offers great city views.

The light, the windows, and the connection to the garden all serve to make the rooms feel larger. “Even when the doors are closed, you get the same sense of space,” Feldman says.

Design For The Future

Not knowing who might live in the house, part of the program focused on flexible space. “We had a lot of discussion about what we could put [into the design] that would appeal to a lot of people,” Feldman says. “And with families, needs will change over time.”

For example, Feldman says, “We discussed whether two bedrooms should be on the same floor, which would be ideal for a small child, versus something that would work better for the shape of the building.” They decided to put a small bedroom off the main suite, which could be used for a young child or perhaps as an office. An older child might sleep in the downstairs bedroom, or that could be used as a guest suite or office.

When Feldman works with clients who are living in a home, he discusses these same concerns. “[We] talk a lot about how they use the house every day — when they’re rushing to work, on the weekends, when grandma comes for a week, when there’s a dinner party. Though each person has different living needs, everyone needs to have enough privacy and connection.”

—Stacey Freed, senior editor, REMODELING.